The Van Apfel Girls are Gone by Felicity McLean

This debut by Australian author, Felicity McClean, is a tantalizing page-turner. This exciting novel is a mystery and coming-of-age story in one. Tikka remembers her childhood--she grew up in a small Australian river valley.

One incident irrevocably changed the Tikka's life: the summer of 1992. Her neighbors, Corrie, Hannah, and Ruth, disappeared one fateful day. The police assume its a missing case but Tikka and her sister are withholding information. Tikka knows that the Van Apfel girls were planning to runaway, a fact she kept from police. Years later, as an adult, she wonders if she made the right choice.

She dwells on the Apfel girls' disappearance to the point where it begins to affect her mental health. As Corrie's memory consumes Tikka, she begins to see Corrie everywhere, or at least people who that look like Corrie.

McLean has a delightful sardonic wit. She frames the story with the Lindy Chamberlain case, a woman whose baby girl disappears while on a camping trip.

Tikka stages a skit based on the case for a school event the evening of the Van Apfel girls' disappearance. Just as it had in the Chamberlain case, the Van Apfel case causes many tongues to wag. Characters jump to conclusions about a male teacher.

Many novels focus on missing girls. Julia Phillips' Disappearing Earth focuses on how a Siberian community reacts to the disappearance of two of their own. 

Though it addresses the self-help industry and single motherhood,  Jaclyn Moriarty Gravity Is The Thing, is also about missing persons. 

Other titles about missing persons:
Lippman, Lauran. Lady in the Lake. 
Miranda, Megan. All the Missing Girls.
O'Nan, Stewart. Songs for the Missing. 

Marlena

In Marlena by Julie Buntin, Cat becomes captivated by her magnetic, yet tragically vulnerable next door neighbor, Marlena. After her Dad leaves them, Cat and the rest of the family move to Silver Lake, a small Northern Michigan community, where they hope to start over. 

Cat is soon spending every minute with her new neighbor and friend, Marlena. Older and more sophisticated, Marlena takes Cat down a typical wormhole of drugs and alcohol. 

An older wiser Cat narrates the story while flashbacks tell the story of her fifteenth summer. This dual perspective novel shows how complicated friendships can have lasting repercussions.

www.juliebuntin.com

History of Wolves

For a coming-of-age story that transcends genre, read Emily Fridlund's History of Wolves.
One of the central questions in this tale is culpability.


"What's the difference between what you want to believe and what you do?...And what's the difference between what you think and what you end up doing," Madeleine wonders.

She's a kid surrounded by adults--her parents, Mr. Grierson, the Gardners who shirk their duties and blame others for mistakes they make.The worst offender is probably Patra who blames illogically blames Madeleine for the death of her four-year-old.

Then there's Mr. Grierson, her teacher, who may be reprehensible but is not guilty of what police and Lily charge him with. Madeleine tracks him to Florida after he gets out of prison. She writes letters to him but he seems to have forgotten her.

Though Madeleine is expert at hiking and traversing the streams in her woods, she is less expert at deciphering social cues or understanding human relationships. Perhaps that is why she is fascinated by Patra and Leo's strange relationship.

However capable she is at wilderness survival, Madeleine is strangely powerless when faced  with Leo's religious obsession or Lily's duplicity.

My Sunshine Away for M.O. Walsh

Set in Baton Rouge, Louisiana, this is crime story mixed with revelations that come from the narrator's flashbacks. Even though its fiction, the narrator presents the story as memory, as the first time he fell for a girl, Lindsey.

Unfortunately, the girl he desires falls victim to a terrible 
crime--rape. The young narrator claims not to even know what the word means. Nonetheless, he, like three other boys in the neighborhood, are suspects. 

The narrator and the the two other suspects come from a privileged background, attend a private school and live in a pristine neighborhood. Many wonder how such a dark crime can happen midst so much "sunshine" and innocence.

Walsh does an incredible job of peeling back the layers of each character to reveal their secrets. For Lindsey, it's not the rape that makes her moody and morose; it's in fact, therapy, where she turns dark.

In therapy, Lindsey meets cutters and anorexics and sex-abuse survivors, and, thus, she learns how privileged her life has been. 

The narrator's crush on Lindsey is innocent, or it something darker, like a twisted obsession?  At one point, the narrator makes an elaborate structure out  of yard clippings that resembles Lindsey.

Two other suspects, Bo Kern and Jason Landry, are even more suspicious. But which one of them is truly guilty of this violent crime? 

What at first appears to be a coming-of-age story or a crime story set in the deep south, turns out to be something much richer. In the end, it ponders identity, gender, memory and justice.

For more information about this author,
http://www.mowalsh.com

Miss Peregrine's Home for Peculiar Children

Miss Peregrine's Home For Peculiar Children by Ransom Riggs.

Jacob Portman is a well-to-do teen who is traumatized when he witnesses his grandfather die. Jacob is convinced his grandfather's dying words are portents rather than an old man's ramblings or dementia.

Most intriguing of all, however, are the bizarre photographs of apparently real people that illustrate the book. Ransom Riggs, a film maker who also writes photo essays for magazines, inserts photographs of people doing unusal things e.g. levitating in the air or creating balls of fire.

The photographs become part of the fictional world Riggs creates in Miss Peregrine's School for Peculiar Children. Jacob assumes the photographs his grandfather shows him are fake, as most people would. He concludes that his Grandfather's stories of a war-time escape and a home for peculiar children are fairy tales.

After watching his Grandfather die, however, Jacob begins having nightmares and even believes that he can see monsters. Are his Grandfather's stories true? Jacob travels to Wales with his father to find out and that is only the beginning of his adventures.

Ransom Rigg's first novel is a gothic coming-of-age like no other. The otherwordly setting--a dilapidated house on an isolated Welsh island, time loops, and a school for mysterious students--will immediately capture a reader's interest. Marketed for young adults, this novel also will also appeal to adults who are intrigued by supernatural mysteries.

Review by Chantal Walvoord

Out Stealing Horses

Out Stealing Horses by Per Petterson.

Out Stealing Horses is a novel that immediately grabs hold of readers's attention. I was hooked from the moment Petterson describes Trond's friend, Jon:

Jon came often to our door, at all hours, wanting me to go out with him: shooting hares, walking through the forest in the pale moonlight...balancing on yellow logs...it was risky... He never knocked, just came quietly up the path from the river...Even in the morning early when I was still asleep, I might feel a restlessness far into my dream...He smiled his little smiled and squinted...'Are you coming?' he said. 'We're going out stealing horses.'

The phrase "out stealing horses," has a double meaning, one for the son and quite a different one for the father. Stealth is an important element in the novel, though there's no actual stealing: the boys never intend to take Barkald's horses.

The point-of-view, expertly executed by Petterson, moves back and forth in time. Readers see Trond as a fifteen-year-old, enjoying his last summer of  innocence, and Trond as a sixty-seven year-old man vexed with a neighbor that could be his doppelganger.

Though Trond would rather not revisit his past, the summer he played "out stealing horses" comes back to him in his older years and in his dreams. As a teenager, Trond is blissfully unaware of  anything beyond the beauty of the woods and the game he plays with his friend, Jon. Two unrelated accidents, a shooting and a fall, soon set a whole different series of events in motion that are as irreversible as the stacked timber that  falls in the Glomma river.

Trond's father is not the man Trond thinks him to be--not the man he trusts and admires. The pair, Trond and his father, have been staying in a rented cabin in the furthermost reaches of Norway. Though their time cutting trees bonds father and son together; sadly, it is also a precursor to betrayal. Petterson won one of the highest literary awards, the Dublin IMPAC award, for this evocative novel.



Review by Chantal Walvoord

David Mitchell's Black Swan Green

Jason Taylor is a “middle-ranking” boy who watches his position in the school yard fall perilously into “leper” status, before bobbing back to “middle-rank.” Jason is comfortable exploring the woods outside his home, yet finds himself at odds with his mother, father, and know-it-all sister. Jason doesn’t realize the vanity of labels or name-calling until close to the end of the novel, when he triumphs over local bullies and overcomes his strange fixation with cruel Dawn Madden. As usual Mitchell employs innovative narrative techniques. Jason Taylor hears voices in his head, “Unborn Twin” and “Maggot,” that speak up at various times in the novel. Hangman, the personification of his speech impediment, also takes control of the exasperated Jason at humorously inappropriate times.

David Mitchell might become popular again now that a movie version of Cloud Atlas is forthcoming.

Penni Russon's Undine

Undine by Penni Russon.

Undine has many features one would expect to find in a coming-of-age story: a confused heroine who battles with authority figures as she journeys toward self-understanding. Undine, for instance, finds herself at odds with Lou, her mother, who tries to shield Undine from the strange man who claims to be her father. Undine’s life is a lot more confusing, however, than an ordinary teenager’s. Not only must Undine deal with dreary Tuesdays, messy love triangles, and an overprotective mother, Undine must also deal the growing sense the she has powers—powers to control the weather and, quite possibly, alter the past and future.

Undine’s sleepy existence in Hobbart, Tasmania, comes to a halt when she hears a voice calling her “home.” Soon afterwards, a strange fish appears at her doorstep along with a note from a shadowy figure calling himself Prospero. Not having read The Tempest, Undine turns to her confidant, Trout. The two of them try to decipher the mystery until Undine begins dating Trout’s older brother, Richard. Trout, who has always loved Undine, becomes painfully estranged from both Undine and Richard when he learns of their involvement.

Because of their rift, Undine answers the call to meet Prospero alone at his house at Tasmania’s Bay of Angels where her magic is strongest. When Prospero reveals how he plans to misuse Undine’s magic, however, Undine creates a destructive tempest that nearly destroys the world. In a climactic scene, Undine and her father each make a life-altering sacrifice—one that Russon explores further in the next two novels, Breathe and Drift.

 Should Undine have answered Prospero’s call? Should she have accepted the gift of magic which leads to her discovery of other, alternate worlds? The magic is a gift but it results in ethical conundrums. In the final novel, Drift, for instance, Undine must decide if she should save a four-year-old if it would obliterate a young man’s existence in another parallel world. Undine also has a showdown with a street performer named Phoenix and an enigmatic creature that insists on calling her a “sister.” Russon’s thrilling and thought-provoking trilogy, about friendship, longing, transience, choices and sacrifice, is not to be missed.

Bruce Machart's Wake of Forgiveness

Wake of Forgiveness by Bruce Machart.

Race horses play an instrumental role in this carefully crafted debut novel. By cultivating winning race horses, Vaclav Skala acquires most of the land in LaVaca county. His love for winning horse races, however, comes at the expense of his family.

After his beloved Clara dies, Vaclav is an embittered man who uses his sons as "work horses" to plow the fields. He exempts his own horses from working since he uses them to race. What proves to be Vaclav’s undoing, however, is his blind hubris.

Vaclav has so much confidence in Karel's riding abilities that he offers up his three other sons as bridegrooms to the daughters of the second largest landowner. This proves to be a tragic mistake. Vaclav may know horses and farming but he knows little about filial bonds or the disarming power of love.

Karel is a good rider but he's distracted by his opponent, Villasenor's daughter, Gabriella. Though only fifteen, he's enchanted by her beauty and the possibilities she offers. Although he is only a boy he must deal with conflicting feelings for her and loyalty towards his family--a situation that continues throughout most of his young life until a pair of delinquents force him to re-prioritize his life.

This novel is a powerful family drama and an intriguing look at life in Texas at the turn-of-the-century. Few authors write so powerfully and evocatively; this novel will resonate for a long time to come.

Review by Chantal Walvoord