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Tuesday, September 8, 2020

Station Eleven by Emily St. John Mandel

 


Station Eleven is about the Georgia virus, one that is even more disrupting than COVID-19. In this prescient novel, Mandel writes about a virus that ends civilization, eliminating people quickly and with them the knowledge of technology. After it hits, there's no electricity, phone, internet, cars, law enforcement, hospitals, or government. Bands of survivors that set up settlements in abandoned restaurant, hotels, and airports.


The principal characters are all connected in some way to a King Lear production that took place shortly before the collapse in Toronto. An aging actor, Arthur, dies on stage; the actor's childhood friend, Clark, and a child actress in the production, Kirsten, survive. 

While this is a grim scenario, Mandel cleverly knits the factions together. Jeevan, for instance, is an aspiring paramedic that rises out of the audience to try to rescue Arthur. His story interconnects with Kirsten's and the roaming Symphony that band together for art's sake after the collapse. 

Kirsten believes that "survival is insufficient." In addition to survival, there must be beauty and art; thus, she continues to perform Shakespeare with the Symphony in spite of the hazards. The Symphony sometimes wander through dangerous territory and encounter sinister people such as the mysterious Prophet.

The Symphony are all armed and trained, even if they aspire to preserve beauty. Kirsten is an expert knife-thrower who can defend herself in necessary. The Prophet, in contrast, is an armed aggressor who takes what he wants, including children, as his wives. He kills without regard and proclaims himself the "Light."

The Prophet is also connected, Clark soon learns, to his old friend Arthur. Miranda is linked to Arthur and it is her graphic novel, Station Eleven, that provides a clue to the Prophet's origins. Everything is wonderfully knotted together, its up to the reader to unravel the connections. 

HBO is creating a ten-episode drama series based on Station Eleven starring Mackenzie Davis and Himesh Patel. 

Wednesday, August 26, 2020

Wick Poetry Center

Wick Poetry Center,

https://www.kent.edu/wick


Community poems at the Wick Poetry Center.

Users can read a model poem and than submit one of their own inspired by that model. 

The current community poem at The Wick Center honors nurses. The community can submit poems based on the model poem "Some Days."

https://communitypoems.travelingstanzas.com/somedays

Tuesday, August 25, 2020

Look Me In The Eye by John Elder Robinson


 Robinson who has written other books about autism has a difficult start in life. He grew up feeling different and not knowing why or how to label it. He was frequently told he needed to look people in the eye. Ostracized by kids, he turned to adults who were more forgiving of his lack of social graces. He learned to love machines (e.g. trains and amplifiers) and could visualize complex equations in his head.

In spite of a high intelligence, he could not adapt to school and dropped out at 16. He was a practical joker who learned to create elaborate devices that would fool the eye. He was also spending more and more time learning the ins and outs of the music industry. 

Eventually, he created a guitar that appeared to explode on stage, which the band KISS became famous for. Several chapters in Look Me in the Eye are devoted to adventures he had while working as a sound engineer for KISS. The band paid well but sporadically. Robison eventually explored a career in the corporate world. 

Despite not having an electrical engineering degree, Robinson found working at Milton Bradley an easy fit. He could designing electronic toys as well if not better than any of the engineers with degrees. 

As good as he was at design, though, he could not hack the corporate culture:


"I was thoroughly sick of all the criticism. I was sick of life.   Literally. I had come down with asthma, and attacks were sending me to the emergency room every few months. I hated to get up and face another day at work. I knew what I needed to do. I needed to stop forcing myself to fit into something I could never be a part of A big company. A group. A team."


Robinson thought the answer is to create his own business, repairing high-end cars like Land Rovers and Rolls-Royces. While that works for awhile, it isn't completely satisifying.

A friend who was also a therapist helps him making a discovery about himself that changes his outlook on life. The chapter, "A Diagnosis at Forty" focuses on his coming to terms with his diagnosis. 

Robinson not only comes to terms with his autism, he also makes peace with his parents who were at times indifferent and abusive while he was growing up.

This is an intimate portrait of one man's journey with autism and how it affected his professional life and personal life. He writes about his son, who also has autism, in a separate book, Raising Cubby. Robison also writes about his search for experimental therapies in Switched On. 

Robison is a scholar-in-residence at the College of William and Mary.