This debut by Australian author, Felicity McClean, is a tantalizing page-turner. This exciting novel is a mystery and coming-of-age story in one. Tikka remembers her childhood--she grew up in a small Australian river valley.
One incident irrevocably changed the Tikka's life: the summer of 1992. Her neighbors, Corrie, Hannah, and Ruth, disappeared one fateful day. The police assume its a missing case but Tikka and her sister are withholding information. Tikka knows that the Van Apfel girls were planning to runaway, a fact she kept from police. Years later, as an adult, she wonders if she made the right choice.
She dwells on the Apfel girls' disappearance to the point where it begins to affect her mental health. As Corrie's memory consumes Tikka, she begins to see Corrie everywhere, or at least people who that look like Corrie.
McLean has a delightful sardonic wit. She frames the story with the Lindy Chamberlain case, a woman whose baby girl disappears while on a camping trip.
Tikka stages a skit based on the case for a school event the evening of the Van Apfel girls' disappearance. Just as it had in the Chamberlain case, the Van Apfel case causes many tongues to wag. Characters jump to conclusions about a male teacher.
Many novels focus on missing girls. Julia Phillips' Disappearing Earth focuses on how a Siberian community reacts to the disappearance of two of their own.
Though it addresses the self-help industry and single motherhood, Jaclyn Moriarty Gravity Is The Thing, is also about missing persons.
Other titles about missing persons:
Lippman, Lauran. Lady in the Lake.
Miranda, Megan. All the Missing Girls.
O'Nan, Stewart. Songs for the Missing.
We Have Always Lived in the Castle by Shirley Jackson

We Have Always Lived in the Castle is a murder-mystery that combines Gothic elements with psychological suspense.
Though it gives the routine of two seemingly ordinary women, it also peers into the mind of a deranged young girl:
“I have often thought that with any luck at all, I could have been born a werewolf because the two middle fingers on both my hands are the same length, but I have had to be content with what I had…I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.”
Merricat, eighteen, lives in the past along with her sister, who is about 28, and her ailing Uncle Julian. For some reason, Merricat excludes him as a member of her family in the opening paragraphs of the novel.
Merricat, who believes in magic and protection spells, lives wholly in her own imagination. She believes her cat, Jonas, can tell stories. She thinks that burying objects and nailing items to a tree can protect her and her sister from the villagers. She often professes that she wants to go to the moon on a winged horse.
None of Merricat’s talismans have any effect though when a relative, Charles Blackwood, visits and takes over the family’s home. The visitor alters the family in irreversible ways. Much like the events that occurred six years ago, the visitor’s actions alters the fabric of their lives.
Merricat insists that Charles is a “ghost” and a “demon.” He is, in fact, a greedy relative who wants access to the family’s safe. Merrricat’s fanciful imagination however will not allow such a prosaic explanation.
After the fire, and after the villagers exact terrible retribution, the Blackwood girls are more isolated than ever.
Merricat and Constance insist, however, that they are happy even if they are deprived of their beautiful things–the italian staircase and drawing room. Without their their fancy plates and drapes, they are in a barren, yet isolated place. They are finally “on the moon.”


























