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Thursday, May 28, 2015

H is for Hawk by Helen MacDonald (part 2)

The next stage is hunting. Macdonald loses, she says, her humanity while watching Mabel hunt. Although she has been an animal lover all her life, she enjoys the hawk's triumphs. 

Ironically, Macdonald says she regains her humanity by mercifully killing the prey that Mabel would have eaten live.

Macdonald's success in training her goshawk is punctuated by White's unsuccessful attempts to train his.

Then, one day, the hawk inexplicably attacks Helen. 

The injuries gives Helen several key realizations that are further affirmed when she speaks at her father's memorial service.

She had been losing herself--her humanity--while training the goshawk. 

What I liked best about this memoir is the honest description of  a tense human-animal relationship. The literary analyses, the historical asides, and Macdonald's astute discussion of depression and grieving process make this work even more significant.

Sunday, May 24, 2015

H is for Hawk by Helen Macdonald (part 1)


Though she is an expert who has trained many raptors, MacDonald feels compelled to train a goshawk after her father's death. Known to be the most difficult of all to train, the goshawk is a suitable challenge that allows her to grieve and escape from the world.

MacDonald's father, a photojournalist, viewed the world through his camera lens. He taught Helen to be a watcher and that is what she does while training hawks. 

For the first few weeks she "watches" them; she allows herself to become invisible while feeding them from gloved hands.

The next stage is "manning" the hawk. Manning the hawk means uncovering its head in public. Up to this point, the hawk wear a hood in public.

In this wildly original work of non-fiction, MacDonald also confronts her younger self and her disdain for fellow hawk-trainer and legendary author, T.H. White.

His loneliness mirrors her own though she does not appear to recognize this. As an adult, MacDonald comprehends White's troubled soul and his loneliness. 

MacDonald is an academic so much of the writing comes across an a beautifully-written academic essay. She is also a poet which explains the work's formidable imagery: "The hawk was a fire that burned my hurts away."

Since she is also historian, MacDonald often engages in interesting asides, like her discussion of the Pastoral movement that occurred in Britain in the 1930s. 

Mostly, though, she shares her triumphs and failures as an austringer. Though she trains Mabel to land on her fist, inexplicably, her goshawk stops doing it consistently. MacDonald feels she has failed her hawk.

Much of this non-fiction treatise reads like feral therapy. MacDonald is afraid to let Mabel loose of the creance as she is supposed to do: "I'm convinced that Mabel will rocket away from me and disappear for ever." 

This isn't a bond she takes lightly. During her time of grief, she has frequent angry outbursts. She finds it particularly hard to learn to trust again:

 "Flying a hawk free is always scary. It is where you test these lines. And it's not a thing that's easy to do when you've lost trust in the world, and your heart is turned to dust." 

(continued)




Tuesday, May 5, 2015

Magician's Lie by Greer McAllister

One night in Waterloo, Iowa, the Amazing Arden, completes a magic trick she has done many times before. She is famous for her half man trick in which she saws a man in half. This time, however, she innovates and uses a fire ax. 

The man, presumably her husband, is later found under the stage--killed by an ax wound to the chest. Virgil Holt, a Deputy Sheriff, apprehends her but Arden claims to be innocent. 

Along with the Sheriff, readers must decide whether her story is believable. Parts of her story are difficult for the sheriff to believe. Ray a maniac that she meets while still a young girl living in Tennessee, has healing powers. He is a healer and a destroyer-in-one, yet its hard to believe no one detects his treachery.

Arden, then named Ava, teaches herself ballet via the Cecchetti method, in order to escape from Ray's abuse. This plan fails when Ray breaks her leg. Ava run away from home and becomes a servant in the Vanderbilt household. 

At Biltmore, Ava falls for Clyde who has considerable talents. He is a gardener who can also turn a profit scouting talent in New York. Ava, still running from Ray, takes off with Clyde where she takes a small part in the legendary Adelaide Hermann's magic act.

Magic and performing becomes Ava's new life. Her business manager, which by coincidence is Clyde, renames her The Amazing Arden. Her show is successful and she is happy for a time until tragedy strikes. 


Macallister includes many accurate details in this historical fiction, including the Iroquois Theater fire in 1903 and details from the life of Adelaide Hermann. 

Arden is a fascinating character as are Virgil and Ray. The one flaw in the novel is Clyde who is almost too versatile. He is a rake, a hero, a gardener, and a business manager. The ending is, thus. only partly satisfying. 

If you like The Magician's Lie, you may like Erin Morgenstern's Night Circus, Sara Gruen's Water for Elephants or Chrysler Szalan's The Hawley Book of the Dead.

Other books with circus acts, magic tricks, or performing arts as their main themes are Erika Swyler's The Book of Speculation and Leslie Parry's Church of Marvels. 

Sunday, April 12, 2015

Child 44 by Tom Rob Smith

Horrifying on multiple levels, Child 44 is a standout thriller.

In the so-called perfect Stalinist state, crime doesn't exist. To admit that it exists is almost an act of treason. 

So when a member of the MGB claims that his child Arkady has been murdered, Leo Demidov is told to quiet the family. He does this and more, even threatening eye-witnesses. 

He never examines the body of Arkady as the family asks. None of this is unusual. MGB do not normally detect violent crime. That task belongs to a much lower class, the militia. 

Soon, however, new circumstances come to light. Leo Demidov's communist beliefs are shaken to the core when he sees an innocent man tortured. 

He also learns that wife, Raisa, is a stranger. She married him because she feared turning his marriage proposal down. 

He was an agent of the state and she was keen on surviving. Years ago she had watched the Soviets destroy her town and all of her relatives, including her parents, for political purposes.

In Stalinist Russia, agents could be promoted one afternoon and denounced the next. When someone denounces Leo and Raisa, they barely escape with their lives. Demoted to a mill town, Leo and Raisa must start life anew.


Leo is demoted to the lowest rank in the militia, the agency responsible for handling violent crime. Recently, two children have been murdered in the woods near the railroad tracks and there may be more. 

Smith has set up the perfect conundrum for his hero to face. A disgraced MGB officer can do little to investigate the murders without risking his life. Leo Demidov must decide if  justice is more important than survival.


Plenty of riveting twists and turns, betrayals, repressed memories, mind games, and nail-biting escapes make this a first-rate thriller. Unsurprisingly, this novel has been turned into a 2015 feature film. 


Tom Rob Smith followed Child 44 with two other novels, The Secret Speech and Agent 6.

Monday, March 30, 2015

Wolf Totem


Jessica Teisch's "Chinese Novels in English Translation" is a notable article in the Mar/April 2015 Bookmarks.

One of the novels that drew my attention is Wolf Totem, a semi-autobiographical novel by Jian Rong. 

Rong was a Red Guard in the sixties who hoarded the Western books he was supposed to burn.

He volunteered to work in Mongolia where he has the freedom to read. In this remote area, he becomes fascinated by the grassland wolves.

In this semi-autobiographical work, Jian Rong writes a fictional version of these events -- applauding freedom and the Mogolian herdsmen.

www.bookmarksmagazine.com



Sunday, March 29, 2015

East Coast Ink, issue 6

My essay "Swamp People," is included on pg 45-46 of the Spring issue of East Coast Ink, issue 6. The theme was "Roots."




http://issuu.com/eastcoastink/docs/eci_006__roots/38



Thursday, March 5, 2015

The Sherlockian by Graham Moore

Graham Moore won an Oscar for the screenplay adaptation of Andrew Hodges' Alan Turing: The Enigma. 

Before he wrote the screenplay for Imitation Game, howeverMoore wrote this novel, The Sherlockian. 

The Sherlockian is a remarkable literary thriller published in 2010 that alternates between the present and nineteenth century London.

One of the "Irregulars," a fan group for Sherlock Holmes fiction, may have murdered one of their own and pilfered a rare Sir Arthur Conan diary. Harold, one of the irregulars, is haplessly drawn into the affair and determined to work out who killed Alex Cale. 

In a parallel story, set in the past, Sir Arthur Conan Doyle, receives a strange package (a letter bomb) in the mail. Doyle has taken a seven-year break from writing about Holmes. 

The letter bomb has a newspaper clipping about a murder. This inspires Doyle to track down the killer in a manner that would make his fictional creation, Holmes, proud.

Doyle discovers a connection between two unlikely cases. In one case, a young bride with a three-headed crow tattoo is strangled and placed in a tub. In another, a woman in Whitechapel is found strangled in an alley.

He and his friend Bram Stoker conduct surveillance on their own and later work in conjunction with Scotland Yard. 

In many respects, The Sherlockian is a thriller. The scenes are fast-moving and captivating and the characters lives are at stake. 

Since Moore writes from a position of great knowledge about Sir Arthur Conan Doyle and his creation, Sherlock Holmes, it is also a top literary thriller.

If you want to read more about Arthur Conan Doyle and his friendship with Bram Stoker, you may want to read Julian Barnes' novel, Arthur and George